PROGRAMME
Please note that the time displayed in the schedule is UTC (Coordinated Universal Time)
Lisbon UTC +00:00; Paris UTC +01:00; Madrid UTC +01:00; London UTC +00:00; Berlin UTC +01:00; Bern UTC +01:00; Amsterdam UTC +01:00; Rome UTC +01:00; New York UTC -05:00; Houston UTC -06:00; Sacramento UTC -08:00; Rio de Janeiro UTC -03:00; São Paulo UTC -03:00; Tokyo UTC +09:00; Bangkok UTC +07:00. Day 1 - 02.11.2020 14:00-14:10 Welcome and opening remarks Panel 1: Art Market Power in the 18th and 19th centuries Chair: Elizabeth Pergam (Sotheby’s Institute of Art) 14:10-14:25 Adriana Turpin (Institut d’Etudes Supérieures des Arts): Dealers and the development of a market for English Eighteenth-century furniture 14:25-14:40 Valeria Paruzzo (Università di Trento - Dipartimento di Lettere e Filosofia): The dealer Giovanni Querci della Rovere selling paintings beyond the borders of Austrian Venice (1815-1866) 14:40-14:55 Camille Mestdagh (Centre Georges Chevrier/LAHRHA): Knowing the key go-betweens: a condition for market leadership 14:55-15:10 Patricia Delayti Telles (CEAACP/ University of Coimbra): Against all odds: the commerce of paintings in early 19th century Portugal and Brazil 15:10-15:25 Discussion 15:25-15:30 Break Panel 2 - The American moment of the internationalization (at the turn of the 20th century) Chair: Yaëlle Biro (The Metropolitan Museum of Art) 15:30-15:45 Lynn Catterson (Columbia University): The Florentine Dealer Stefano Bardini and his strategies for Art Market Power 15:45-16:00 MaryKate Cleary (The University of Edinburgh): Marius de Zayas and Henri-Pierre Roché: Agents of the Art Dealer Paul Rosenberg 16:00-16:15 Susana Stüssi Garcia (HiCSA, Université Paris 1 Panthéon-Sorbonne): Mexico – Paris – New York. Eugène Boban and the invention of a Pre-Columbian art market in 19th century Paris 16:15-16:30 Discussion 16:30-16:35 Break Panel 3 - The American moment of the internationalization (at the turn of the 20th century) Chair: Sandra van Ginhoven (Getty Research Institute) 16:35-16:50 Christine Vivet-Peclet (Centre de Documentation – Musée des monuments français - Cité de l’architecture et du patrimoine): The Demotte Inc. and the betting of the American Art Market 16:50-17:05 Tom Hardwick (Houston Museum of Natural Science): Sterling, dollars, and Tutankhamun: Spink and Sons and the American market for Egyptian antiquities 17:05-17:20 Denise M. Budd (Bergen Community College): Charles Mather Ffoulke and the Emerging Tapestry Market 17:20-17:35 Meike Hopp (TU Berlin): Julius Böhler: a Munich art dealer expands to the American east coast of the “Golden Twenties” 17:35-17:50 Discussion Day 2 - 03.11.2020 Panel 4 - Art Market Power in the 20th century Chair: Frances Fowle (Edinburgh College of Art) 14:00-14:15 Catherine B. Scallen (Case Western Reserve University): International Art Dealing and the Collecting of Expertise. Duveen Brothers and its Strategic Engagement with Museum Professionals 14:15-14:30 Vérane Tasseau (Independent Art Historian/ Researcher Picasso Estate): Daniel-Henry Kahnweiler’s international partnerships 14:30-14:45 Discussion 14:45-14:50 Break Panel 5 - Art Market Power in the 20th century Chair: Filip Vermeylen (Erasmus University Rotterdam) 14:50-15:05 Anne Rothfeld (Independent Researcher): Hans Wendland – The Link to Sales in Switzerland 15:05-15:20 Stéphanie Ginalski, Emilie Widmer, Claire-Lise Debluë (Institute of Political Studies, University of Lausanne): Art societies as local and transnational power institutions: The case of Zurich 15:20-15:35 Maria de Lima Mayer (Casa-Museu Fundação Medeiros e Almeida): How “John Sparks Ltd.” influenced the British Chinese art market 15:35-15:50 Discussion 15:50-15:55 Break Panel 6 - Art Market Power in the 21st century Chair: Marta Pérez Ibáñez (Independent Researcher) 15:55-16:10 Makoto Shimada (Keio University Law School): Market power in art auction in Japan 16:10-16:25 Rémy Auguste François Jarry (Chulalongkorn University) - Southeast Asian Art Market: Emergence and Integration of ASEAN Countries 16:25-16:40 Marion Bertin (École du Louvre & Université de la Rochelle - CRHIA): “The market is dying”: power and conflicts between art dealers and auctions houses in the tribal art market 16:40-16:55 Discussion 16:55-17:00 Break Panel 7 - Art Market Power in the 21st century Chair: Adelaide Duarte (Instituto de História da Arte, NOVA/FCSH) 17:00-17:15 Alain Quemin (Université Paris-8): Elaborating a ranking of leading contemporary art galleries: Does nationality matter and to what extent is internationalization necessary to control the market? 17:15-17:30 Melanie Fasche (Sotheby’s Institute of Art): Geographic expansion and market power in the contemporary art sector: evidence from leading commercial galleries 17:30-17:45 Laurel Zuckerman (Independent researcher): Computing Impact: A methodology for identifying top NEPIP art dealers by frequency of mentions in provenance 17:45-18:00 Discussion 18:00-18:10 Closing remarks |